Sounds by Spencyr

10 Questions with Mini Trees

10 Questions with Mini Trees

We caught up with Mini Trees ahead of the Slow It Down Tour run to talk about the road, the record, and what keeps her coming back to it all.

By: Spencyr Aronson

August 23rd, 2026

Sounds by Spencyr: Hi, Lexi! The Slow It Down Tour kicks off August 28th. You've shared stages with Death Cab for Cutie, Julien Baker, and others, but what does it feel like to be the one headlining your own run?

Mini Trees: It's still pretty surreal, to be honest! Before last year we had never headlined outside of our own hometown, and when you're opening for other bands you can't always tell if anyone came to see you or if they'd come back to see you. So it really feels like such an honor that enough people want to see us play in different cities across the country that we can even do a big US headline tour like this.

SBS:

Slow It Down has been out for nearly a year now. How has your relationship with the album changed as you get ready to bring these songs on the road?

MT: Even though the album has been out for almost a year, I feel like I've still been sitting with it because we've spent the first half of this year putting together an extended edition that involves a lot of incredible artists reimagining the songs. So now it's almost like I forgot what the original songs sound like, and they're starting to come back to me as we rehearse them for tour. This will be the first time playing all of 'Slow It Down', and I know there were a handful of songs that people had asked us to play when we were out last year that we hadn't added to the setlist yet. So I'm just excited to see what people think and which songs stand out in the live format.

SBS:

You've been open about how close you came to stepping away from music entirely before this chapter. Was there a specific moment that pulled you back and made you commit to putting this work out into the world?

MT: I don't think I would have ever actually been able to give up music since it's such an integral part of me, my identity, and my upbringing, but yeah, I did question if pursuing it in this way, as a "business," was for me and if I was cut out for this industry. I think I just needed some time away from the hustle for a little bit, and it didn't take long for me to remember what drew me to want to create and share music in the first place. It helps to have such close friends involved in the project who not only believe in it but continue to want to be a part of it, so I think it was just returning to the basics of it all that helped me find joy and fulfillment in it again.

“It didn't take long for me to remember what drew me to want to create and share music in the first place.”
SBS:

Back to touring, you've described past times on the road as being as draining as they were exciting. What are you doing differently on this run to stay connected to the joy of performing? Is there a small ritual or comfort that helps keep you grounded?

MT: Touring is definitely hard for all of the reasons you'd probably expect: late nights, long drives, poor sleep, and eating weird food at weird hours. But I think with the right people, that's also part of what makes it so fun. It's also really energizing to get to play shows for people who are excited to hear these songs. That really keeps us going when it gets exhausting out there.

As far as rituals go, coffee has been a big one for me and most of the band. We can usually find a good local coffee shop in every city we pass through, and we always make it a point to stop before we drive out to get a good cup. Sometimes I'll also travel with my AeroPress, scale, and hand grinder so I can make myself a cup anywhere I am, which feels like a nice little slice of home on the road.

SBS:

This is your first tour behind a fully independent release. How has that changed the way you're approaching things, whether it's the creative decisions or the day-to-day realities behind the scenes?

MT: I think we've always been pretty hands-on with planning our own tours, so it doesn't feel too different to be independent, and we have a really amazing team supporting us on the booking and management side. Things are growing for sure, but it's still very scrappy and DIY in a lot of ways.

SBS:

That makes sense. Back to the record, 'Slow It Down' balances really intimate songwriting with live drums and layered production. Which song has been the most interesting to figure out for the stage?

MT: I think "Spinning" has been a fun song to figure out the live arrangement for because it kind of sounds like a straightforward bubbly indie pop song, but there are a few elements that made it tricky to recreate, like the whammy guitar line or all of the layered parts that are individually simple but challenging to play as just a four-piece band. I've also been pleasantly surprised by how much energy comes through with that song live and how much people seem to get into it.

SBS:

I love "Spinning". You recently put out acoustic versions and live sessions from the record. Do any of those arrangements make their way into the set? Is there a song that feels more honest to you in that stripped-down form?

MT: We're doing a couple of things to incorporate the acoustic versions into the tour. For example, we added a secret pop-up acoustic show in LA and may look to do more of that on the road. I think "Sludge" hits really differently in acoustic form since it's such a heavy song lyrically but kind of hides behind the overdriven guitars and loud drums on the record version. So it's kind of this belty anthem, but at its core it's actually really melancholic.

SBS:

Music runs so deep in your family. Your dad was a sought-after session drummer and your mom performed with Hiroshima. Are there things you've learned from watching their careers that you carry with you now, on stage or on the road?

MT: Since my dad passed away when I was 5 and my mom had retired from music before I was born, I didn't get much time to really observe them in their craft or careers, but I definitely think they're the reason that music is such a part of who I am. Even though I was a young child, it was demonstrated to me that this could be a career, or at least an art form, and we were surrounded by music and musicians growing up, so it was always very encouraged.

“I definitely think [my parents] are the reason that music is such a part of who I am. Even though I was a young child, it was demonstrated to me that this could be a career, or at least an art form, and we were surrounded by music and musicians growing up, so it was always very encouraged.”
SBS:

Who are some of your favorite up-and-coming artists right now, and is there anyone you'd especially love to share a stage or tour with?

MT: My personal listening is all over the place, but a few up-and-coming artists I've been listening to nonstop lately are Wishy, Baileyrp, Quiet Light, and Dexter in the Newsagent. Would be absolutely thrilled to play shows with any of them!

SBS:

The tour wraps in late September and then you've got Holiday Hootenanny in Austin in December. What does that stretch look like for you creatively? Is it a chance to breathe, or are you already building toward something?

MT: We'll be announcing more tour dates around Holiday Hootenanny soon, but in the downtime around that I'll be continuing to write more music. I've been writing here and there as it's been a quiet year so far, but now with tour I'm shifting into tour mode, so it'll feel nice to get back to songwriting again once we're home. I've always found that hitting the road is one of the best ways to start gathering inspiration for new songs again.

“I've always found that hitting the road is one of the best ways to start gathering inspiration for new songs again.”
SBS:

Thank you so much for taking the time!

MT: Thank you!