Sounds by Spencyr

10 Questions with Eden Joel

10 Questions with Eden Joel

Eden Joel opens up about growing up in Nashville's vibrant music scene, the influences behind his unique sound, and the inspiration fueling his debut EP, Dogpile.

By: Spencyr Aronson

November 17th, 2025

Sounds by Spencyr: Hey, Eden! How’s it going?

Eden Joel: I’m good. I’ve had kind of an action packed week with just fun stuff.

SBS:

That’s awesome, and you’ve got an exciting few days ahead with the EP coming out too!

EJ: Yes, I’m excited!

SBS:

Amazing. Let’s kick this off! You were raised in Nashville constantly around music. How did those early experiences and your time growing up in such a music centric city shape your identity as an artist today?

EJ: Honestly, I think it’s kind of inescapable when you’re in Nashville. You kind of have no choice but to participate in music on some level. So definitely in terms of total immersion into it, I think that has really affected me. I did grow up around a lot of amazing, world class musicians. When I was in middle school, one of my friends had a parent who was in Union Station, which is Alison Krauss’ band. One of the best banjo players ever! I would go to her house, and her dad would just be shredding. He’d be practicing five hours a day in his 50’s. Pretty crazy.

SBS:

That’s awesome. Going off that, who were your early influences or favorite artists growing up?

EJ: My favorite band of all time is a band called The Hives. They’re a Swedish punk band. For whatever reason, it just super connected with my 11 year old brain and still does. Whenever I found it, it was like, this is it for me. This is matching my energy right now. Most of my friends and older siblings were in bands too, so that was always inspiring to see.

SBS:

I’ll definitely have to check out The Hives! Recently, you’ve collaborated and toured with artists like Annie DiRusso and Briston Maroney. How has being around musicians of that level influenced your approach to performing and what have you learned about yourself through those experiences?

EJ: For sure. I’ve toured with Annie the most, and me and Briston are homies. I really like his music; I actually played Paradise Festival [which he founded] this past week in Nashville. Both of them are really powerful performers. I have gotten to learn a lot from Annie as well. They both just get on stage and give 110%, and even though they’re both like siblings to me, when you’re standing next to them and they’re doing their thing, it’s pretty cool to watch. So when I started playing my own shows, not just as a side person, I was hoping that some of those skills would transfer. But honestly, it’s so different to be playing guitar for somebody versus being the person on the mic and having to speak in between songs.

SBS:

I saw you performed at Paradise! How did that go?

EJ: Literally the most fun thing ever. I had so much fun. We watched Meet Me in the Bathroom, a documentary about the early 2000’s New York music scene with The Strokes, The Moldy Peaches and LCD Soundsystem. We watched that before, so we were ready to rock. We were just goofing around the whole time.

SBS:

The lineup was awesome, I would have loved to have been there.

EJ: It was really sweet. Maybe next year.

SBS:

Maybe next year! In terms of creating the solo EP, did those same experiences with Briston, Annie and other collaborators inform the process of making the EP?

EJ: When I started really working on Dogpile, I was also working on Annie’s album [Super Pedestrian]. I had never done anything like that before, so I was learning a lot working with Annie, watching her write songs and then going away and trying it out for myself. A lot of the songs you’ll hear on Dogpile are really just me figuring out how to write songs, which is kind of fun. Again, with touring and working with other people, the coolest thing is just being able to watch, because everybody goes about everything so differently. So it’s cool to just be able to borrow different tricks from people. Annie is all about just saying how she feels, and that was really inspiring to me at the time.

SBS:

Let’s chat more about your work! “Deadweight”, one of my favorites off the project, gained a lot of traction before it was even released. What was that experience like for you?

EJ: It was super cool. I started posting songs online because I really wanted to do it, even though I was kind of scared. So I just pushed myself to rip off the band-aid and put something out there. That was one of the first things I posted, and it ended up being really cool. It honestly changed my life in terms of how I thought about myself. I realized this was something I genuinely wanted to pursue, even though I didn’t think anyone would care at all. So it was a big deal for me personally and really set me on a different path, which was exciting.

At the same time, though, I hadn’t actually finished the song. I was freaking out because I didn’t know how to finish it, and I didn’t want to mess it up. It was definitely a mix of emotions, really exciting but also kind of scary. Overall, though, it felt encouraging more than anything. It didn’t feel like this huge, serious thing. It was more like a little thumbs up from the universe.

SBS:

A little thumbs up from the universe; I love that so much! Walk me through your emotions as this project is less than a week away from being out in the world.

EJ: I feel really stoked. I’ve been sitting with these songs for a minute, so I’m excited to end the chapter and start anew. It’s been a huge new experience and I’ve learned a lot, so I’m glad it’s finally happening. It’s a little crazy because it’s been in the back of my mind for so long. I’m trying not to be too overwhelmed and stay present.

SBS:

Definitely. I’d love to hear a bit more about how you came up with the title. Is there a story behind the name Dogpile?

EJ: These songs feel like a project because I wrote them all during a really specific period of my life. Dogpile felt like the right name because so much of what I was writing about had to do with feeling overwhelmed by change. I graduated early during Covid and moved out pretty soon after I turned 17. I was really eager to start touring and doing everything I’d dreamed about. Then everything hit me. It slowly sank in that things like paying rent and being away are actually really hard. I love it, but there are definitely parts that are more intense than I expected when I was still living at my parents’ house. So Dogpile just felt fitting because it captured that sense of everything piling up at once.

SBS:

As we start to wrap things up, I always like to ask: are there any artists you want to give a shoutout to, whether they’re friends or people whose work you admire?

EJ: My friend Devin has a project called Henry J. Star. He just put out a really awesome album that’s so good, and he’s been working on it for a really long time. Emma Ogier is awesome, and Casper Sage is amazing too. I’m definitely missing some, but I also love book NOT brooke and Grumpy.

SBS:

I love book NOT brooke’s latest single [“O.U. Oh Yeah”].

EJ: There’s a music video coming out today, I think, or maybe it already came out. I’m one of three tall skinny lads in green morph suits.

SBS:

Incredible. Those were all great picks.

EJ: I feel like literally everyone I know in Nashville makes awesome music. So I’m probably leaving out so many people.

SBS:

Don’t worry. The same thing happens when I ask people in New York that question. What’s next for you after Dogpile?

EJ: I’m probably going to drop some singles. I’m really excited to work with other people and collaborate a bit more, too. I made the majority of this project alone in my room and then had my friend Anson, who also has an awesome project called Spuddy, help me tie everything together. I want to get out of my room a little bit and try to have more fun, be less in the weeds I guess.

SBS:

Before we finish up, what do you hope listeners take away from Dogpile? Is there a particular message or emotion you want them to leave with?

EJ: I hope they’re excited to hear more! I think the biggest thing for me with these songs was trying to create something that wasn’t influenced by what I thought was cool or how I assumed other people would perceive it. I just wanted to be myself and not overthink how it might come across.

“More than anything, I hope it encourages people to bring their own unique perspective to what they do and to just be themselves.”
SBS:

That feels like a perfect point to wrap on. Thank you, Eden!

EJ: Thank you! This was so fun.